Keidra Chaney

A piece I wrote for ALARM Magazine’s last print edition on visual artist Deborah Johnson is now online. Check it out.

Working with a team of production designers, artists, and programmers, her approach is collaborative by nature, but never overly polished or “art by committee.” Instead, Johnson approaches her visual style as “the highest of the lo-fi, using these really sophisticated programming languages and tools — but it doesn’t look like Pixar; it looks like a child did it.”